51 by Ohkimiko Vintage-Modern

51 by Ohkimiko Vintage-Modern51 by Ohkimiko carries the hand lettered, watercolour driven style that defines Kim Karol's Cologne studio, blending playful typography with the food and travel motifs she returns to again and again. The piece sits within Ohkimiko's vintage leaning graphic design work, favouring warm, minimalistic compositions over anything ornate. It reads as a small, everyday pleasure rendered with a light touch and a confident sense of colour, closer to a hand

Created by Oskar Schlemmer for the 1922–1923 Bauhaus exhibitions

one black and one white

and quiet humour fully at work

Kandinsky treated colour and form as subjects in their own right

Haeckel renders each species with equal precision and reverence

rendered with the meticulous linework and restrained color palette characteristic of 19th-century scientific illustration

The result is a piece that feels dynamic even in stillness

the nuanced tonal shifts of Seurat's early brushwork — the warm highlights and cool shadow passages — translate with precision and sharpness on the matte surface

Klimt's The Virgin gathers seven female figures into a swirling dreamscape of pattern

A fine art print with real period character

Bodart's camera finds the point where the museum ceases to be a building and becomes part of its own landscape

Ogawa Kazumasa's Three Iris Kæmpferi presents a trio of Japanese irises captured with the measured restraint of a natural scientist and the sensitivity of an artist